Wednesday, May 29, 2019, Berlin--Last evening's dinner at Panama https://oh-panama.com/en/welcome/#menu captivated the synthesis, creativity and dynamism of this city. Panama is located in an upscale neighborhood Lützoplatz with high-end retailers. The restaurant is reached by walking down a landscaped alley off the main street.
We were ushered upstairs to a large white room decorated with tropical
Panama |
Earlier in the day we had taken the recommendation of friends and ventured on the S-bahn to Potsdam, the center of the Soviet occupation of East Germany, the Imperial summer palace in the days of the Hohenzollerns and the site of the Potsdam agreements near the end of WW2 between Stalin, Churchill and Truman.
The tour guide insisted |
Five of rhe seven languages offered on the bus |
The Potsdam triumphal arch |
Nevertheless the overall effect comes somewhere between real magnificence and the contrived parvenu views of Kaiser Wilhelm II and Frederick Wilhelm of Prussia. We had a beautiful day to enjoy the vistas and the palaces.
Homes built for Dutch architects who never came |
Phony dachas for Russians |
Looks like a mosque--i t hides a pumping station |
French protestant church |
The horrors of occupation-- East German on the left, West Berlin on the right |
Celciliahof,The palace of the crown prince completed in 1916, |
The red star of Stalin installed in infurtate Churchill at the Potsdam Conference in 1945 |
Roman gods celebrating inebriation at Sanssouci, the summer palace of Frederick the Great |
FG the Great's grave. He brought potatoes to Prussia |
Servants quarters at Neue Palace |
Kaiser Wilhelm II mobilized for World War I from her |
George Baselitz |
In the entrance hall, no others exist |
After returning from Potsdam and before leaving for dinner, the hotel offered us a guided tour of the art in the hotel. Most of it has been given on a long-term agreement by the Neo-Expressionist German artist Georg Baselitz who is still living in Berlin in his eighties. He and some of his East German contemporaries were degraded by Soviet political constraints and moved to West Berlin in the mid-50's. Most of the works, including two in our room, are etchings and many of them are upside down landscapes or figures--which accounts for the name of the bar in the hotel.
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